Harlem native Adriene Cruz was deeply inspired by her mothers creative use of color and the rich cultural influences of her childhood community.
Adriene attended the High School of Art and Design and received a BFA from the School of Visual Art in NewYork. After relocating to Portland, Oregon she explored quilting at the Oregon School of Art and Craft. What emerged were brilliantly colored and adorned quilts, large and small, piecing together richly patterned materials in rhythmic arrangements, structured as well as improvisational, deeply moving on a spiritual level and simply enjoyable for their sheer beauty. Fabric, cowrie shells, mirrors, sequins, beads , tribal silver, even beetle wings and fragrant herbs are among the endless adornments and amulets in Adriene's artistic alchemy.
Adriene's creative vision garnered invitations to create public art in her Portland community. Often engaging community youth, Adriene created street banners, murals, decorative trash bins and a billboard. Public artist Valerie Otani invited Adriene to design one of Portland's Light Rail stations. The artists collaborated creating colorful glass mosaic, handmade tiles, steel railings and concrete benches reflecting Ashanti culture. "Stone quilts" embedded in the paving also adorn the platform of Killingsworth Station.
Adriene has exhibted internationally in Brazil, Costa Rica and South Africa. Nationally her work has exhibited at the Smithsonian in D.C., The Folk Art Museum, NY, American Craft Museum , NY, Museum of Biblical Art, NY, The Museum of the African Diaspora, San Francisco, The National Civil Rights Museum, Memphis, and the Fowler Museum of Cultural History, UCLA. to name a few. Collections include the Schomberg Center for Research in Black Culture, Hartsfield International Airport, Atlanta GA, Haborview Medical Center, Seattle, Portland Community College and numerous private collections.