Welcome to the TextileXchange resource guide—a growing effort created to map out and connect the vibrant textile community and resources in the Portland metro area and beyond. The foundation of this guide was built from the diversity of organizations that participate in Portland Textile Month.

Development of and funding for this guide has been provided by Textile Hive with additional funding from a RACC catalyst grant.

We encourage you to contribute additional resources through this form and consider becoming a member of the TextileXchange to help further develop this resource guide as well as Portland Textile Month.

 Businesses

ace&jig

www.aceandjig.com

ace&jig is a textile love story. in 2009, we set out to create a seasonless women's collection from one fabrication: our own yarn-dye, woven fabric. we wanted to create timeless garments from our own textile designs, as interesting in texture as in color and pattern.

Anne Williams of Atelier Douce France

www.adfupholstery.com

Anne Williams was born and raised in Normandy, France where she began to learn traditional upholstery at the young age of 15. She graduated from French upholstery school in 2007 and has been traveling internationally for the past 12 years, to master the skills of upholstery. Some of the major cities where she has worked include Paris, London, Melbourne (Australia), New York City and Portland. Through her background working in each of these cities she has gained a well-rounded skill set, an attention to detail, and versatility in a wide range of upholstery techniques. Now she is the proud owner of Atelier Douce France, a small business that focuses on high-end work for interior design firms and exclusive residential projects.

Atelier Douce France

Anne Williams was born and raised in Normandy, France where she began to learn traditional upholstery at the young age of 15. She graduated from French upholstery school in 2007 and has been traveling internationally for the past 12 years, to master the skills of upholstery. Some of the major cities where she has worked include Paris, London, Melbourne (Australia), New York City and Portland. Through her background working in each of these cities she has gained a well-rounded skill set, an attention to detail, and versatility in a wide range of upholstery techniques. Now she is the proud owner of Atelier Douce France, a small business that focuses on high-end work for interior design firms and exclusive residential projects.

BlackSheepMade

https://www.blacksheepmade.com/

Alyssarhaye Graciano is a trilingual, POC fiber artist. Once in the tech industry as a linguistic specialist, she left her day job to pursue a creative career. While she mainly knits, crochet, macramé and weaving are also part of her everyday life.

She started BlackSheepMade as a way to fund an internship abroad while in college, but since 2014 it has evolved into large public installations, long-term pop-ups and traveling workshops. You can find her latest mural in her hometown of San Jose, California at The Berryessa Flea. She wove a 15 x 8–foot (4.5x 2.5–m) mural with her dad, Francisco, as an homage to her late abuelita and hometown culture.

In 2018, she ran a two-month long pop-up in downtown Portland via a city-funded program. She was able to test out her idea of a “deli for knits”: choose a style of beanie or scarf, pick your colors and she’ll knit it up in a week. In 2019, Travel Portland and My People’s Market brought Alyssarhaye to Japan to discuss life as an entrepreneur and teach a macrame workshop. In January of 2020, Alyssarhaye published her first DIY knitting book, Chunky Knits: Cozy Hats, Scarves and More Made Simple with Extra-Large Yarn.

Today, she continues her art career as a designer for various fiber brands and local businesses and she teaches fiber workshops in both English and Spanish. Alyssarhaye now lives in San Jose, California where when she’s not knitting, can be found sewing, cycling, or on a hike.

Bolt Fabric Boutique

https://www.boltfabricboutique.com/

Bolt Fabric Boutique was founded in 2005 to serve our community with high quality, unique fabric and complimentary items that inspire creativity, regardless of your skill level. Since then, the shop has grown to serve both Portland locals and become a popular destination for tourists. We strive to ensure that Bolt is a truly unique experience—when you walk in the door, you will discover fabrics and other delights that you haven’t seen anywhere else.

 fabric store

Cargo

www.cargoinc.com

PURVEYORS OF CURIOUS OBJECTS Authentic, handmade and unique. We support small manufacturers, artists and local merchants.

 textile history  vintage textiles

Creative Capital Design

www.creativecapitalpdx.com

As founders of Creative Capital Design, we are, at our core, friends who know we are better together. Our success is largely a product of those who mentored, encouraged, and inspired us along the way. We continue to be buoyed up by the enthusiasm and energy, imagination and intelligence, of those around us. Now it’s our turn to share our knowledge and resources with the industry that has treated us so well. We developed Inside Fashion Design, a behind the scenes look into the world of apparel design. A site dedicated to first-year students, emerging designers and industry leaders alike. It’s a place to teach and to learn. A place to bring everyone into the conversation and celebrate what we all love to do. http://www.creativecapitalpdx.com/

 fashion  textile design

Fiber Rhythm Craft and Design

https://fiberrhythm.com/

Founded by sisters Dawn and Dianne Seymour in 2007, the business represents decades of experience in many forms of fiber arts. Both sisters have a wide variety of experience with needlework, hardanger embroidery, sewing, knitting, crocheting and weaving.

 classes  knitting  yarn

Haunt

http://www.hollystalder.com/haunt-

HAUNT is a tiny little shop that has locally made clothing, art, jewelry, and vintage. It's known as the place to find unusual pretty things: a one of kind party dress, a druzy agate ring, a colorful bohemian wall tapestry, or an indigo dyed Kaftan.

 fashion  textile art

Hidden Opulence Design House

https://www.hiddenopulence.com/

Hidden Opulence is a Design House that’s focused in Apparel sustainability and upcycling. We enjoy serving both existing apparel brands and the general public. We feel pride especially serving those who identify as Queer, Non-Binary and/or BIPOC. It’s all about meeting you where you are at in your slow fashion and sustainable journey!

We are your one stop shop when it comes to refreshing or perfecting those cherished items in your wardrobe or from your home. Basic tailoring, mending and altering are a part of our core. Projects that have anything to do with heirloom refurbishing, repairing and re-configuring (garment or textile) touch our hearts. Unfortunately at this time, we do not provide pattern rendering or clothing concept development.

Kat & Maouche

https://katandmaouche.com/

Traditional Techniques Modern Design. Specialists in Vintage Moroccan Berber Rugs collected as modern woven art.

 Morocco  rugs  textile traditions  vintage textiles

Laundry Studio

www.laundrystudio.com

Founded in 2000, Laundry is a multi-faceted design studio in Portland, Oregon specializing in print and pattern design, illustration, graphic design and creative workshops focusing on all of the above.

 textile design  workshops

Love Fest Fibers

https://lovefestfibers.com/pages/our-story

Based in San Francisco, we offer small-batch, sustainably sourced yarn + fiber goods. We design our collections to spark creativity in makers (that’s you!) while creating meaningful opportunities to support and elevate fiber-producing communities. Our incredibly skilled partner artisans practice their craft in small, family-run workshops in Nepal, Tibet and America's West Coast.

Made on 23rd

www.madeon23rd.com

Made On 23rd is a modern design workshop specializing in hand-crafted textiles. Our products are block printed by traditional processes by skilled artists.

 block print  interior design  workshops

MADRE

https://www.madrelinen.com/

MADRE is Shay Carrillo and Jeanie Kirk, two women deeply stirred by mothering, both beauty + breakdown, homemaking, and food. We all eat, and we all rest, therefore MADRE strives to offer linens that support food, rest, and our community. Linen napkins are the foundation of MADRE, and we are proud also offer tabletop and kitchen goods, bedding, and other select home essentials. Shay and Jeanie dreamt up the idea for MADRE from a simple premise: to create linen home essentials that are as close to 100% domestic as possible. We are honored to be a part of welcoming flax back to Oregon! MADRE is a feminist brand committed to embodying our aspirations for a feminine economy. We believe we are mutually indebted to each other and to our one true madre: MAMA EARTH. Therefore, we commit to you, to ourselves, and to the plants, lands, and waters, to embrace the obligation of our core values: integrity, honesty, transparency, collaboration, and radical inclusivity.

MAOTA

www.maotajp.com

With continuous support from local craftsmen MAOTA commits to a maintained visible production. We are based only a short distance to our weaving mills, yarn factories, dyeing mills and production factories in Japan, making possible frequent visits and keeping the production local and close to home. We use high quality yarns which are the base to unique textures, shapes and colors. Yarn is the beginning.

Nest Showroom

https://www.nestportland.com/

Founded by international interior designer Michael Reper in 2009, the Nest Showroom reflects what he, as a designer with thirty-five year’s experience in all aspects of the business, and an in-depth knowledge of design, wanted his ideal showroom to be; a complete and exceptional resource for Northwest designers with staff who understand his obsession for quality.

 interior design  textile design

Over & Over Style

www.overandoverstyle.com

Over & Over Style is the project of Barbara & Vivian, veterans of the Seattle apparel industry, with shared passions for textile artistry, history & travel, and the transformative power of clothing.  In search of our next act, we came across a treasure trove of vintage kimonos (way too beautiful to be hidden away in moth balls) and decided to give them new life. The result, after hours upon countless hours of designing, deconstructing, washing, steaming, cutting & sewing, is a collection of unique home decor and one-of-a-kind garments in a dazzling array of patterns and colors.

Parker Simonne Designs. Inc.

http://www.parkersimonnedesigns.com/

parker + simonne designs is a woman-owned small batch clothing line modernized kimonos, tops and tunics, inspired by my dreams.

Pattern People

https://patternpeople.com/

Pattern People is an industry leading print studio which offers seasonal trend guides, custom pattern design services, stock prints for immediate use, design tools, and educational ebooks for designers of all levels.

 fashion  textile design

Portland Apparel Lab

https://portlandapparellab.com/

PAL is a member-based makerspace for sewn-goods. PAL is a design support team here to get you production-ready. PAL is a collaborative knowledge-sharing community that takes your skills to the next level.

 classes  fashion  manufacturing

Portland Garment Factory (PGF)

https://www.portlandgarmentfactory.com

Portland Garment Factory is a full-service design and fabrication studio with expertise in soft-goods design + manufacturing, creative direction, and art fabrication + retail display + experiential marketing design. Led by PGF founder Britt Howard, the zero-waste studio has been upending the factory model for more than 10 years, as a leader in soft-goods innovation, design, and fabrication.

 fashion  manufacturing

Reclaimed Wool

http://www.reclaimedwool.com/

Heidi Leugers created her brand and studio, Reclaimed Wool in 1998 with one guiding principle: to turn her artistic practice into a business only if she could "reclaim" all the waste she (also) had created in the process of making adorable or functional items - whether for exhibition or for sale. Her studio has been zero waste for over two decades. The 8K - 12K hotpads, coasters, holiday ornaments and pincushions she makes, are limited to what she can produce with her own hands and can be found at museum stores, craft galleries, and specialty retailers. In 2007, her zero waste practice received critical, scholarly attention in the college teaching text, "Cycle-Logical Art", by Linda Weintraub. Heidi firmly believes that "zero-waste" is a practice, not a purchase.

 sustainability  textile reuse  wool

Renewal Workshop

https://renewalworkshop.com/

The Renewal System takes discarded apparel and textiles and turns them into Renewed Apparel, upcycled materials or recycling feedstock. Data is collected on everything that flows through the system and is given back to our brand partners to help them improve the production and design of future products. It is a zero waste system that recovers the full value out of what has already been created as a way of serving customers, partners and planet.

 fashion  textile reuse

Renewal Workshop

https://renewalworkshop.com/

The Renewal System takes discarded apparel and textiles and turns them into Renewed Apparel, upcycled materials or recycling feedstock. Data is collected on everything that flows through the system and is given back to our brand partners to help them improve the production and design of future products. It is a zero waste system that recovers the full value out of what has already been created as a way of serving customers, partners and planet.

 circular fashion  textile reuse

Revive Upholstery

https://www.revivepdx.com/

Revive Designs and Upholstery was established in Portland, Oregon in 2011. Specializing in heirloom furniture, including vintage re-upholstery, mid-century antique commercial design, bespoke product.

 interior design  sustainability  textile design  textile reuse  upholstery

Sustainable Fashion Forum

https://www.thesustainablefashionforum.com/

Founded on the principals of discovery and education, the Sustainable Fashion Forum is a highly-curated, community-driven sustainable fashion conference held annually in Portland, Oregon. The SFF looks to the future by fostering honest, thought-provoking and in-depth conversations about the social and environmental effects fashion has on our world and what we can do individually and collectively to improve it.

 fashion  sustainability  talks

Textile Hive

https://www.textilehive.com

Textile Hive, based in Portland OR, is home to the 40,000 textiles of the Andrea Aranow Textile Design Collection. The collection is the largest fully digitized independent textile collection in the world. Through its membership program the visual database offers access to educational institutions, design professionals and textile enthusiasts. Textile Hive’s mission is to preserve and enable greater access to the rich history, intricate techniques, and stunning visual beauty of the textile collection through immersive physical and digital experiences.

 archive  textile design  textile traditions  tours  vintage textiles

Vía Raíz

https://viaraiz.com/

Vía Raíz is a place where Mexican craftsmanship meets modern design. We work with highly skilled makers and innovative designers who are reinterpreting traditional Mexican craft - bridging the divide between ancestral craft and contemporary design.

 interior design  mexico  textile traditions

Woonwinkel

https://www.woonwinkelhome.com/

Woonwinkel is a Portland, Oregon based shop owned by us-- two women with a passion for independent designers, simple forms, and gorgeous color. Yup, we have a thing for color. Don't get us wrong--we love all our colors equally--so gorgeous neutrals do have a place in our shop. But what we really love is luxuriating in the perfect blush bedding, or feeling jazzed by an eye-popping yellow ceramic vessel. Color can transform a mood and a home so we curate it with care.

 interior design

Woonwinkel

www.woonwinkelhome.com

Woonwinkel is a Portland, Oregon-based home and gift shop where everyday goods shine bright. Our passion for color makes your visit more than just a shopping trip--it uplifts and inspires.
Yup, we have a thing for color. Don't get us wrong--we love all our colors equally--so gorgeous neutrals do have a place in our shop. But what we really love is luxuriating in the perfect blush bedding, or feeling jazzed by an eye-popping yellow ceramic vessel. Twenty-five years in the color design industry have taught us that color is powerful. It can transform a mood and a home so we choose it with care. We carry home goods and gifts from all over the world, much of it created by individuals and itty bitty companies. We like doing business with the little guys because it means we get to work with real people--people who are brave enough to take an idea and make it happen without a giant safety net. People who go the extra mile to make sure their product is well crafted. People who know that having fewer things that are better made is a way to live in harmony with the earth. By the way, woonwinkel means “living shop” in Dutch.

 Farms

Ewethful Fiber Farm & Mill

www.ewethfulfiberfarm.com

At Ewethful Fiber Farm we create custom made fiber products for flock owners and fiber enthusiasts. In addition we also create our own line of products using locally sourced fiber. We specialize in processing fine animal fibers to our customer’s specifications. Using MiniMills Equipment we are able to process sheep, alpaca, llama, angora rabbit, dog hair, bison and goat in addition to several other fiber animals. We receive raw (unwashed) fleeces from our clients, wash them, dry them and then process the fiber into batts for felting or roving for hand spinning. We are able to custom blend fibers and have a wide selection of blending materials to choose from to create our customers perfect product. In addition we are able to dehair, to separate out course fibers from fine finer and remove vegetable matter from fine fiber fleeces.

 farm  spinning  wool  yarn

Imperial Stock Ranch

http://imperialstockranch.com/

It’s not common to find a privately held ranch whose headquarters is a National Historic District. It’s even less common to find one located in Oregon that sustainably produces a wide variety of all-natural products. In fact, the Imperial Stock Ranch is the only one. Our rich history of more than 145 years is deeply rooted in visionary thinking and the implementation of practices that are anything but ordinary. We are proud to offer you something different. Something special and unique. Something extraordinary.

 farm  wool  yarn

Vibrant Valley Farm

http://www.vibrantvalleyfarm.com/

We are a group of dedicated farmers and passionate educators committed to exploring innovative solutions to enliven the current food system, both locally and globally. We work to honor ancient traditions in growing food and connecting to the land as well as to helping to create healthier communities. We are partnering with local schools and youth projects to create mentorship programs as well as green job training possibilities to accompany the hard work and dedication of growing food and learning from one another in a field setting.

 farm  indigo  linen  workshops

 Galleries

Agenda

https://www.instagram.com/agenda.pdx/

agenda’s main agenda is contributing to a vibrant and viable art scene in Portland, OR by educating and developing a wider collector base.

Blackfish Gallery

http://www.blackfish.com/

Combining a mentor-based approach with an exceptional visiting artists program, students work one-on-one with nationally and internationally recognized designers, makers, and scholars in a self-directed curriculum that challenges them to bring to life the full strength of their ideas and skills.

 gallery  textile art

Elizabeth Leach Gallery

https://www.elizabethleach.com

Established in 1981, the Elizabeth Leach Gallery presents prominent Northwest and internationally established artists working in a wide variety of contemporary media. The gallery's mission is to create a dynamic dialogue between the local community and the global art world.

 gallery  textile art

Helen's Costume

https://costumeintl.com/

Helen's Costume is a contemporary art gallery in a modified domestic setting, in the Montavilla neighborhood of Portland OR. RSVP on the website for the address.

HOLDING Contemporary

https://www.holdingcontemporary.com/

HOLDING Contemporary presents exhibitions and programs by emerging and established visual artists across disciplines. Through a deliberate curatorial vision and a strategic business model, we position ourselves towards challenging the economical and social privilege of the art world.

 gallery  textile art

Nationale

https://www.nationale.us

Nationale is an art space established in 2008 by Owner/Director, May Barruel. Nationale is dedicated to the promotion of culture through exhibitions, performances, and a selection of carefully chosen goods.

 gallery  textile art

PDX CONTEMPORARY ART

https://pdxcontemporaryart.com

Opened in 1996, PDX CONTEMPORARY ART continues to be one of the Pearl District’s most forward-thinking commercial galleries. Representing artists both local and international, owner Jane Beebe strives to mix conceptual work with more personal offerings that are “both intellectually and visually satisfying.” The elegant space, designed by Brad Cloepfil of Allied Works Architecture, boasts monthly exhibitions of represented artists as well as the PDX Window Project, a more experimental space viewable from the street.

Wolff Gallery

https://www.wolffgallery.com/

Wolff Gallery is a curatorial collaboration between visual artists Shannon O’Connor and Zemie Barr. Our goal is to broaden the Portland art scene by prioritizing the exhibition of work by traditionally underrepresented artists. We gravitate toward visual and performing art that does not suppress emotional intensity and we encourage more contemporary artists to embrace the personal as political. We are dedicated to a feminist, collaborative organizational model and we approach exhibition­making as an art form, as well as a shared endeavor with each participating artist.

 gallery  textile art

YOU:(curated)

http://you-curated.com/

YOU:(Curated) was founded by Jamie Wilson. Born out of years of art, design and styling experience, she became aware that there is no one-stop shopping for overall style makeovers like you might watch on a reality series. At least none attainable for the "everyday kind of person" who might benefit from a fresh perspective. This led to the creation of YOU: (curated). It is the beginning of your own transformation, starting from wherever YOU decide to start.

 gallery  textile art

 Organizations

BASIC NEEDS food shelter clothing

https://foodshelterclothing.squarespace.com

BASIC NEEDS is about making things whose beauty is intertwined with their utility and sustainability. Sometimes it takes the form of a small collection of unique pieces, like hand felted sheepskins or botanically-dyed textiles, other times it may be a garden, designed and cared for over many years.

Columbia FiberArts Guild

http://www.columbiafiberartsguild.org/

Columbia FiberArts Guild is a vibrant group of textile artists celebrating their 50th anniversary this year. Our guild provides a network and forum encompassing ALL aspects of fiber art, including art quilting, surface design, sculptural, and wearable art. Fiber artists of all abilities are welcome. Established in 1969 as the Columbia Stitchery Guild, the Columbia FiberArts Guild serves the greater Portland, Oregon and Vancouver, Washington areas.

 guild  textile art

Conservation through Poverty Alleviation (www.cpali.org) and SEPALI Madagascar

https://www.cpali.org

At CPALI, we work with rural farmers to develop sustainable livelihoods that support both people and ecosystems. In our approach, we focus on existing resources, local leadership, community ownership and linking partners to global markets.

 natural dyes  textile art

Fibrevolution

https://www.fibre-evolution.com

Fibrevolution is revitalizing linen production in the Pacific Northwest. Co-founders Angela Wartes-Kahl and Shannon Welsh

 linen  natural fibers

Gather:Make:Shelter

www.gathermakeshelter.org

Gather:Make:Shelter is a new collaborative model of engagement, connecting people experiencing houselessness and poverty (PEHP) with collaborators in creative professional fields. The project builds relationships and ongoing partnerships with PEHP, fostering opportunities through teaching and leadership skill-building. Gather:Make:Shelter was founded in 2017 in Portland, Oregon to create consistent, authentic connections between people which recognize our shared humanity.

GLEAN

https://www.gleanportland.com

The GLEAN Program invites artists to push the boundaries of material exploration. With a stipend to support their practice and seemingly endless materials to work with, artists are challenged to expand their existing studio practice by making work from the materials gleaned from the Metro Central Transfer Station (aka, “the dump”). One of the goals of this program is to introduce established and emerging artists to the wealth of materials available to them through the GLEAN. With the ultimate goal to reduce waste and raise awareness with this program, no prior experience with discarded materials is required. All artists in the Portland area are encouraged to apply.

Inside Fashion Design

http://insidefashiondesign.net/

Inside Fashion Design shares behind the scenes look into the Apparel Industry. Created to support, inspire, educate, inform, connect and engage community.

 fashion  talks

JCC DENVER

https://www.jccdenver.org/

The JCC Denver is a non-profit organization whose mission is to serve, strengthen, and inspire community guided by timeless Jewish values.

Multnomah Arts Center

https://www.multnomahartscenter.org/

The Multnomah Arts Center (MAC) provides excellent arts education in the visual and performing arts at an affordable cost to students of all ages. We offer programs in music, movement, dance, theater, woodshop, literary arts, conditioning, metal arts, mixed media, printmaking, drawing, painting, photography, ceramics, sculpture, textiles, and more. Programs run year-round, and scholarships are available. Along with our vibrant arts education program, MAC hosts theatre, music & dance performances, gallery exhibitions, and other special events.

 classes  weaving

Museum of the African Diaspora

www.moadsf.org

MoAD, a contemporary art museum, celebrates Black cultures, ignites challenging conversations, and inspires learning through the global lens of the African Diaspora.

Oregon Flock and Fiber Festival

http://flockandfiberfestival.com/

The Oregon Flock & Fiber Festival has grown significantly since its inception in 1997. The Festival includes three days of workshops and a weekend filled with demonstrations, livestock shows, seminars and kids’ activities.

 festival  spinning  wool

Oregon Historical Society

https://ohs.org/

The Oregon Historical Society (OHS) is a private museum, archival library, and educational institution headquartered in downtown Portland. It was founded on December 17, 1898, with the purpose of forwarding the “collection, preservation, exhibition, and publication of material of a historical character, especially that relating to the history of Oregon and of the United States.”

 archive

Oregon Jewish Museum and Center for Holocaust Education

https://www.ojmche.org

The Oregon Jewish Museum and Center for Holocaust Education is the largest museum dedicated to the documented and visual history of the Jews of Oregon, United States. The Museum is dedicated to the preservation, research, and exhibition of art, archival materials, and artifacts of the Jews and Judaism in Oregon.

Pacific Northwest Feltmakers Group

www.PacificNorthwestFeltmakersGroup.com

We are a group of professional fiber artists located in Oregon and Washington. We primarily work in feltmaking, but enjoy other media as well. We formed to share experiences, to further our understanding and knowledge of felt making, to support one another in our creative endeavors and to act as a resource for others to help them learn this craft we love so much.

Portland Handweavers Guild

https://www.portlandhandweaversguild.org/

Promoting excellence in handweaving, spinning and other fiber arts for over 70 years with monthly programs relevant to the topics of fibers arts.

 guild  textile art  weaving

Portland Textile Club

https://portlandtextileclub.com/

Portland Textile Club is a social club that meets on occasion to talk all things textile, fabric, design, and printing practices. Established in 2014, Portland, OR.

 club  social  textile printing

Portland Textile Month

https://www.portlandtextilemonth.com

Portland Textile Month aims to galvanize the local textile community for a 
month-long festival of events centered around knowledge-sharing and
 cross-pollination between enthusiasts, artists, businesses, and institutions.
 We provide an open platform to engage and share ideas, histories, knowl
edge, experiences, and practices across myriad cultures, viewpoints, and
 generations.

 festival  talks  textile art  workshops

SCRAP PDX

https://portland.scrapcreativereuse.org/

SCRAP PDX is a nonprofit creative reuse center specializing in reused materials for the arts, education programs, birthday parties, and more.

 classes  textile reuse

Stockpiler

http://www.shopstockpiler.com

Nance is currently Assistant Professor of Interdisciplinary Art at SMU in Dallas, TX. She has previously held professorships in Fibres & Material Practices at Concordia University (Montréal, QC) and Virginia Commonwealth University (Richmond, VA). Nance participated in consecutive artist residencies in Reykjavík and Skagaströnd, Iceland in 2013; much of her research continues to be based in Iceland and northern coastal regions of Canada and the US.

 gallery  textile art

The Immigrant Story

https://theimmigrantstory.org/

OUR MISSION

To document, narrate and curate stories about immigrants in order to promote empathy and advance an inclusive community.

OUR VISION

We envision an America that is empathetic — where everyone is valued and included–and where ethnic boundaries are unimportant. With these goals in mind, we seek to:
  • Advance the national dialogue and dispel myths about new Americans through strong, thoughtful, narratives.
  • Use cutting-edge technology and produce only the very best content.
  • Become the most desired medium and reach every American.

The Surface Design Association

https://www.surfacedesign.org/

The Surface Design Association is an international organization focused on inspiring creativity, encouraging innovation, and advocating for artistic excellence as the global leader in textile-inspired art and design. Our mission is to promote awareness and appreciation of textile-inspired art and design through publications, exhibitions, and conferences.

Trendependent

www.trendependent.com

Vicki Ostrom (she/her), is a futurist and trend editor for trendependent.com, a lifestyle trend analysis and consulting company, and for SanMar, a leader in the promotional products industry. With nearly 25 years in design and forecasting, Vicki has honed these skills and shares how trends connect to products. She provides researched, clearly presented materials that help corporations understand what is happening today and forecast what is likely to happen tomorrow. This guidance informs decision-making to deliver a future-proof brand.

 Schools

Applied Craft + Design MFA Program

https://pnca.edu/academics/graduate/acd

Connecting design thinking to design doing, the MFA in Applied Craft + Design program is grounded in hands-on making, entrepreneurial strategies, and social and environmental engagement. With a curriculum focused on the development of a strong artistic voice, the realization of work for a specific community or client, and entrepreneurism that connects making a living with making a difference, the MFA in Applied Craft and Design is the only graduate program of its kind. Combining a mentor-based approach with an exceptional visiting artists program, students work one-on-one with nationally and internationally recognized designers, makers, and scholars in a self-directed curriculum that challenges them to bring to life the full strength of their ideas and skills. Encouraging a cross-disciplinary studio environment in which the workshop is a lab to collaboratively explore design and making processes, the mentor-based MFA in Applied Craft and Design welcomes students from a wide range of creative backgrounds to make original work with an applied purpose.

Assembly PDX

https://assemblypdx.com/

With a curriculum focused on the development of a strong artistic voice, the realization of work for a specific community or client, and entrepreneurism that connects making a living with making a difference, the MFA in Applied Craft and Design is the only graduate program of its kind.

 classes  felting  needle work

Damascus Fiber Arts School

http://www.damascusfiberartsschool.com/wp/

Audrey Moore has been teaching Navajo-style weaving for 50 years and is the owner of Damascus Fiber Arts School, formerly known as Damascus Pioneer Craft School. Terry Olson, once Audrey's student, has taught Tapestry-style weaving at Damascus for 20 years. Tammy Rosecrans is a current student, going on her second year with DFAS, who focuses primarily on Navajo-style weaving.

 spinning  weaving  workshops

Eiseman Center for Color Information and Training

www.LeatriceEiseman.com

Leatrice Eiseman is Executive Director of the Pantone Color Institute and founder of the Eiseman Center for Color Information and Training where her work includes color consulting for industry and forecasting. Lee also teaches online color training programs for career enhancement. She is the author of ten books on color and presents color seminars internationally. Lee contributes to a color forecast for professionals, Pantone View Home, on a yearly basis and contributes to the Pantone View Color Planner twice yearly. Seasonally, she contributes to Pantone’s Fashion Color Report and the selection of Pantone’s Color of the year. She is a member of Fashion Group International, Industrial Design Society of America, an associate member of American Society of Interior Designers and a founding member of The Academy Museum of Motion Pictures and the American Film Institute. Fortune Magazine has featured her as one of the top decision-makers for her work in color.

FAAS

https://www.thefaastudio.com/

The Functional Apparel & Accessories Studio (FAAS) founded by Angela Medlin is the latest Intensive Design Program to partner with Pensole Academy.

 classes  fashion

Heritage School of Interior Design

https://heritageschoolofinteriordesign.com/

Stephanie Thornton Plymale is the owner and CEO of Heritage School of Interior Design. Heritage is headquartered in Portland, OR, and also operates in Denver, CO and most recently expanded to Seattle, WA. Heritage School of Interior Design is an intensive program designed to be completed in as little as six months and fully equip students for a career in interior design by combining a hands-on education with a full complement of technical courses.

 classes  interior design

Pacific Northwest College of Art

https://pnca.edu/

Pacific Northwest College of Art (PNCA) empowers artists and designers to reimagine what art and design can do in the world. This private fine arts and design college, founded in 1909 in Portland, Oregon, offers eleven Bachelor of Fine Art (BFA) degrees, seven graduate degrees including Master of Fine Arts (MFA) and Master of Arts (MA) degrees, a Post-Baccalaureate, and a range of Community Education programs for adults and youth.

 classes  fashion  textile art

PENSOLE + MLab

https://pensole.com/

Pensole Design Academy holistically educates and challenges the next generation of product creators to be successful in the industry through classes and competitions.

 classes  sneakers

Portland Fashion Institute

https://www.portlandfashioninstitute.com

Portland Sewing started business in 2002 with a beginning sewing class for four students. The business grew to add classes in intermediate and advanced sewing. In 2010, Portland Sewing added classes on the business of apparel. In 2016, Oregon made it a licensed career school. Thus Portland Fashion Institute was created to offer three certificates and give people the skills to start businesses and get jobs at apparel companies. Yet PFI still offers classes to people who just to take one or two just for fun. We offer sewing classes for the beginner to the advanced stitcher wanting to learn something new, from sewing basics to patternmaking, draping, tailoring and couture. No matter the class, our job is to make sure you gain skills, create a project you like, build your confidence — and have a good time doing it!

 classes  fashion

Portland State University School of Art + Design

Portland State University's School of Art + Design supports many modes of making, including robust textiles and fiber-based programming for interested students and community members. The School of Art + Design is incredibly excited to have artist Steven Frost speak to both our student body and the Portland community at large.

Social Justice Sewing Academy

http://www.sjsacademy.com

Sara Trail learned to sew at the young age of 4, and is now a successful author, sewing teacher and pattern and fabric designer. At age 13, she wrote a nationally published book, “Sew with Sara” that teaches teens and tweens how to sew cute clothes and accessories for fun and profit. At 15, she starred in a nationally published DVDs, “Cool stuff to Sew With Sara.” She then designed two fabric collections, Folkheart and Biology 101 a pattern collection with Simplicity, “Designed with Love by Sara.” Her pattern collection features prom dresses, backpack patterns, hoodies and jackets as well as aprons and tote bags. While attending UC Berkeley, Sara created a quilt in memory of Trayvon Martin and her love for sewing and passion for social justice intertwined. After graduating from the Harvard University Graduate School of Education, she founded the Social Justice Sewing Academy (SJSA) to be a platform where youth create art that engages and educates communities.

WildCraft Studio School

https://wildcraftstudioschool.com/wild-knits-beginning-knitting.html

WildCraft Studio School offer workshops for adults (16 & over) in the practices of traditional craft, textiles, Native American arts, foraging, and herbal medicine. The motivation to combine these practices stems from our belief that resourcefulness, creativity, and a meaningful relationship to place are integral parts of the human experience and deserving of more space in contemporary life. From our Portland, OR studio -- as well as from the farms, forests, beaches, and deserts that make up our off-site classrooms -- WildCraft strives to awaken creativity and deepen an understanding of place through hands-on experiences in making.

 workshops

 Studios

Adam Arnold

https://www.adam-arnold.com/

Drawing inspiration from many sources, I have built a dedicated clientele. My skill and esteem as a designer and creator of clothing has garnered me collaborations with the Portland Art Museum, Contemporary Craft Museum, and Oregon Ballet Theater. My garments are known for their clean lines, tailored silhouettes, timeless appeal, and impeccable construction.

 fashion  tailoring

Adriene Cruz

www.adrienecruz.com

Harlem native Adriene Cruz creates brilliantly colored fabric art embellished in rhythmic improvisational arrangements of cultural beauty.  Her creative vision has garnered invitations to create beyond fabric to public art in Portland allowing her imagery to flow from textile creations to concrete fabrications. Adriene has exhibited her textiles internationally in Brazil, Costa Rica and South Africa and Nationally at the Smithsonian, The Folk Art Museum, NY,  American Craft Museum , NY, The Museum of the African Diaspora, San Francisco, The National Civil Rights Museum, Memphis,  and the Fowler Museum of Cultural History, UCLA. to name a few. She’s included in collections at the Schomberg Center for Research in Black Culture in Harlem, Haborview Medical Center, Seattle, Portland Community College, Reed College and numerous private collections. Locally , permanent works can be seen at Tri Mets Intersate line, KILLINGSWORTH STATION. Also the 20 year old landmark exterior design of the Northeast Health Center at NE Killingsworth and Martin Luther King Blvd, Currently under restoration.

Ariane Mariane

https://www.arianemarianeshop.com

Ariane Mariane is a German fiber artist living and working in Paris. Trained in architecture and graphical textile design she felt in love with textile arts in 2004. Since 2008 she runs her own textile art studio, creating wall-hangings, sculptures, home decor, wearable art and accessories. In her work she combines graphical design and several textile techniques to make outstanding pieces in a fancy and playful style. She paints with powerful colored fibers and creates little stories in a poetic and humorous way. Each item is unique: created by hand, in a time-consuming and artistic process. In each piece Ariane Marianeexplores new techniques, association of colors and materials. She describes her process as involuntary, deconstructed and messy. "My workshop is filled up with fabrics, wool fibers, pigments, papers and findings of all kind. It’s my kingdom from where I travel to imaginary countries, enjoy great adventures and often come back with marvelous treasuries. My best creations "just happen or as Picasso pointed out:"Inspiration exists but it must find you working."” In Ariane Mariane’s world, clothes and accessories stand side by side to wall hangings and sculptures. "I do not see any difference in making a garment or a picture," she explains. "My approach is always graphical and somehow storytelling: a combination of colors, shapes and materials. In the beginning“ making art for art seemed pretentious to me and I needed a function to authorize myself to create. Nowadays I play around with both. I may even feel freer when doing wall hangings and sculptures. On the other hand it’s so exciting to see a creation transformed by another human. I love the sparkling eyes when a woman tries out an art vest, a hat or accessory. Something’s happening –the art work and the woman are transformed.” The artist’s goal? Spread good vibes and color life.

Blue McCall

www.slipwip.com

Blue is a trans-disciplinary artist originally from Southern Appalachia, currently based in Portland, OR. They make fantasy-industrial cast sculpture, dance, textiles, and paintings. They choreograph for hyperpop and metal musicians, most recently directing a video for Jan Julius' album Meat Shot Idyllic. They are currently writing an experimental multimedia novella set in a factory about sex, labor, and revolt.

Cydni Carter Lopez

www.variegatedplaces.com

Cydni is a place-based artist and designer based in SE Portland. Recently graduated with her MFA in Applied Craft & Design from the Pacific Northwest College of Art, Cydni has a passion for working with her hands and the slow processes that come with traditional craft work. Raised in the Pacific Northwest Cydni comes alive in nature; it is where she feels most grounded and finds infinite joys and curiosities. Her work uses the crafts of natural dyeing and foraging as methods of connecting deeper with the self and the world that we inhabit.

Diggity Dog Textiles (Chris Quinn)

www.instagram.com/diggitydogtextiles/

Chris Quinn was born to stitch. Like so many of her kind, she balanced her nights of making with days in retail...with a twist - she found work in a community owned and collectively operated business. Her crafty perspective allowed her to grasp the effectiveness of weaving together many people to succeed as an enterprise by employing an egalitarian structure - leadership made inclusive because skill and passion determined leadership and fostered respect. Over time, she was invited to support other businesses around the country in strengthening the habits that support inclusivity and empowerment, then when travel got weary, accepted an invitation to become a partner in one company and community, spending the next 20 years growing a cluster of stores while also engaging in a variety of prosocial projects that strengthened the community by sharing her understanding of human and groups. Fascination with human behavior and the desire to generate healthy humans and groups compelled her to study the social scientists and eventually become one. She discovered a truth about the power of our group experiences in supporting or destroying our individual health - emotionally, physically, mentally and socially - a truth she experienced but could only articulate through the support of the social scientists that came before her and worked together to do research and share their learning. Meanwhile, shifts in the world rattled her partners and despite her resistance to change, her company was sold. With no choice but to accept this outcome, she saw the gift in it: the ability to craft both night and day. She moved toward building her skill as a weaver, allowing herself to make fabrics to sew and decorate homes. She embraced the artisans life and moved to Portland, where she toils daily in her makery, building her weaving skills and accessing her sewing skills. She also continues to share her wisdom and classifies herself as a "back of house" operator, supporting prosocial endeavors by supporting those who care. She sees value in taking a supportive role for the next generation by making alliances that empower others to take a stand, learning that through a sense of belonging founded in cultural humility, it's possible for us all to be true to ourselves, and also curious and acknowledging others.

Fiber Rhythm Craft and Design

https://fiberrhythm.com/

Founded by sisters Dawn and Dianne Seymour in 2007, the business represents decades of experience in many forms of fiber arts. Both sisters have a wide variety of experience with needlework, hardanger embroidery, sewing, knitting, crocheting and weaving.

 classes  knitting

Fringe Benefits Weaving

https://www.fringebenefitsweaving.com/

Megan Rothstein is a production weaver of scarves and shawls and focuses on the use of natural dyes and natural fibers in these pieces. She also creates textiles highlighting re-used and re-purposed materials.

 classes  weaving

Heather Watkins

http://heatherwatkinsstudio.com

Heather Watkins’ work explores the nature and possibilities of the drawn line – materially and symbolically. Working with ink, cord, thread, cloth, and paper, she submits these materials to many cycles of saturation, compression, intertwining, and transference. Through these physical processes, she investigates phenomena such as flow, stasis, circulation, and gravity. Her work takes many forms: sculpture, drawing, text-based work, printmaking, and artist’s books.

Her work has been shown in numerous exhibitions, at venues including: PDX CONTEMPORARY ART, Portland, OR; Portland Art Museum, Portland, OR; Planthouse Gallery, New York, NY;  the lumber room, Portland, OR; Front of House, Portland, OR; The Art Gym, Marylhurst, OR; and Nine Gallery, Portland, OR. Her work is held in private and public collections including the Portland Art Museum, the Miller Meigs Collection, the Regional Arts and Culture Council’s Portable Works Collection, the Collection of Jordan D. Schnitzer, Portland State University, Reed College, and Rhode Island School of Design Artist’s Book Collection. She has been the recipient of grants from Oregon Arts Commission, The Ford Family Foundation, and Regional Arts & Culture Council, and has been awarded residencies at Caldera; Sitka Center for Art & Ecology; Oregon College of Art and Craft; and at Em Space Book Arts Center. Watkins holds an MFA from the Rhode Island School of Design, and is represented by PDX CONTEMPORARY ART.

Hidden Opulence

https://www.hiddenopulence.com/

Sustainable focused alterations service specializing in upcycling, mending and tailoring and small batch production to local designers based in Portland

 fashion  sustainability  tailoring

Jens Pettersen

www.instagram.com/jensnonprofit/

Jens Pettersen b. Arendal, Norway, 1998 is a multidisciplinary artist and image maker living in Portland, Oregon. His work alludes to coyness, bumper stickers, highway road signs. Codes and messages for people to see, ways of communication, a cry for help and things that might be hidden in plain sight. Pettersen is a 2021 BFA graduate from Pacific Northwest College of Art. He has exhibited nationally and internationally in solo and group exhibitions at Oregon Contemporary, Portland, OR, Ghost Gallery, Portland, Oregon and Bomuldsfabriken Kunsthall, Arendal Norway.

Jessica Bardsley

www.bardsleyhandwoven.com

Jessica Bardsley is a weaver and textile artist living in Portland, Oregon. Primarily self-taught, Jessica is interested in exploring weaving and other textiles as a way to connect to culture, history, and heritage, and using it as an avenue to build community and connections across generations.

Jim Lommasson

http://www.lommassonpictures.com/

Jim Lommasson is a freelance photographer and author living in Portland, OR. Lommasson received the Dorothea Lange–Paul Taylor Prize from The Center for Documentary Studies at Duke University for his first book, Shadow Boxers: Sweat, Sacrifice and The Will To Survive In American Boxing Gyms.”
Lommasson's book Exit Wounds: Soldiers’ Stories – Life After Iraq and Afghanistan and traveling exhibition is about American Veterans from the Iraq and Afghanistan Wars, and their lives after their return from war. "Exit Wounds" includes Lommasson’s photographs, interviews and photographs by the participants. 
He is an Oregon Humanities Conversation Project Grant recipient for his public discussion "Life after War." Lommasson was awarded a Regional Arts and Culture Council Grant for "What We Carried: Fragments from the Cradle of Civilization." "What We Carried" is an ongoing collaborative storytelling project with displaced Iraqi and Syrian refugees. What We Carried was exhibited at The Ellis Island National Museum of Immigration in the summer of 2019. 
Stories of Survival: Object. Image. Memory. about Holocaust and genocide survivors was created with the Illinois Holocaust Museum and first exhibited in 2018 and is currently travel around the U.S.
Lommasson has collaborated with The Immigrant Story to help create "DREAMs Deferred" about DACA. and in 2020 and "I Am My Story: Voices of Hope" about African women survivors of genocide. Both projects were exhibited at The Oregon Historical Society.

Jo Hamilton

https://www.johamiltonart.com

I moved from Scotland to Portland in the 1990s after graduating from Glasgow School of Art. I continued to make art and eventually began to experiment using crochet, a craft my Gran first taught me when I was six. I make large scale wall works mainly within the western fine art categories of portraits, nudes and landscapes, in a medium that speaks to the everyday. My technique, which evolved over time with each work, is a slow one, taking many hours to build a subject one knot at a time. It allows me to create figurative yet tactile art objects that can appear to be within the conventions of western fine art and traditional craft but are intended to be subversive. I portray anonymous masked women as superheroes hiding in plain sight, gigantic soft but muscular reclining male nudes, venerable local and historical matriarchs, and cityscapes defined by the breakneck pace of modern human production. Out of concern for the environment my work is primarily made from post-consumer materials.

Keeva Moselle

www.Keevamoselle.com

Growing up Keeva Moselle made all of her Halloween costumes from age nine on, repurposing items from around the house. Keeva learned to work with her hands and a myriad of materials and techniques to create wearable art. These skills eventually translated into fashion design and garment construction. Today Keeva is a Portland native artist creating large scale interactive art installations, immersive beauty experiences, costumes, and multimedia art. All of her endeavors primarily use post-consumer waste & salvage materials. Keeva is a graduate of Oregon State University Graduate School, where she studied socio-political ethics. Keeva is an environmentalist and a Black Feminist thinker and author; her art reflects that same powerfully dynamic voice. In 2011, Keeva created an original character “The Queen of Unicorns”, as a public persona to inspire imaginative play and give young girls, especially those of color, representation in the cosplay and festival community. In 2019 she debuted her “Unicorn Palace” at 2nd Star Festival and Faerieworlds; two well established, Oregon based, music and arts festivals. She also presented at Rose City Comic Con in 2019 as part of a panel discussion on Black representation in pop-culture and film. Keeva is one of the 2021 recipients of the Career Opportunity Grant sponsored by the Oregon Arts Commission, The Ford Foundation, and Business Oregon. Keeva was also selected as one of the Regional arts and culture councils (RACC ) 2021 Make Learn Build Grant. Her most recent body of work “Promises”, debut at the Chehalem Cultural Center as part of the “black Matter” show, curated by Tammy Jo. Wilson of Art in Oregon. Keeva Showcased many of her creative talents using refurbished salvage materials. The installation tied together 3 of her costume garments and a series of artifacts, including headdress, with a powerful messages of hope, joy, and the transcendental beauty and healing power of imaginative play. You can see more of the artist's work on Instagram: @keevatheunicornqueen and @realmandreigndesignstudio

Lehuauakea

https://lehuauakea.com/

Lehuauakea is a māhū mixed-Native Hawaiian interdisciplinary artist and kapa maker from Pāpaʻikou on Moku O Keawe, the Big Island of Hawaiʻi. Through a range of craft-based media, their art serves as a means of exploring cultural and biological ecologies, spectrums of Indigeneity, and what it means to live within the context of contemporary environmental degradation. With a particular focus on the labor-intensive making of ʻohe kāpala (carved bamboo printing tools), kapa (bark cloth), and natural pigments, Lehua is able to breathe new life into patterns and traditions practiced for generations. Through these acts of resilience that help forge deeper relationships with ʻāina, this mode of Indigenous storytelling is carried well into the future.

Magic Garden Club

www.magicgardenclub.com

Jessica Sutton is a multi-disciplinary artist that recently relocated to the PNW from TX. She has worked with fiber arts since she could reach her grandmother's sewing machine pedal. She enjoys learning new tedious crafts and teaching fiber arts workshops to others. She believes that crafting can bring healing and meditation to all.

Martha Banyas

http://www.marthabanyas.com/

  I began serious studio work with enamels in the early 1970’s. I have taught college classes and workshops, and have exhibited widely both nationally and internationally to the present.

    In 1985, I started Apa Ini, a folk art gallery in Portland, Oregon. For the next 20 years I traveled extensively in SE Asia and Turkey, and was a dealer in ethnographic and tribal arts/crafts. During that time my personal work evolved in many different directions from making masks and life-size puppets in Bali to continuing work in small scale sculpture and jewelry.

    In 2005 I returned to full-time studio work in enamels and metals.

Mo Geiger

www.mogeiger.com

Mo Geiger is an artist. Her work includes sculpture, performance, and experimentation, with a focus on interdisciplinary processes. She is currently pursuing an MFA in Art and Social Practice at Portland State University, and lives between Boiling Springs, PA and Portland, OR. Trained as a theatrical designer and technician, she values tactile learning in collaborative environments. Living material histories, scavenge, discard, and transformation connect all of her artwork and research. She develops projects using context-specific perspectives, which consider active and potentially overlooked elements wherever she is. Her artwork has been seen at the State Museum of Pennsylvania, Susquehanna Art Museum, The Schuylkill Center, Area 405, Ejecta Projects, Carlisle Arts Learning Center, and Legend Galleries, among others. She has participated in residencies at Vermont Studio Center and The National Park Service's Mojave Preserve. Along with developing artworks, she continues to freelance in theatrical design, fabrication, and architectural restoration. She is a co-founder of south-central Pennsylvania performance collective Valley Traction.

Niky Kuzma

Niky moved to Portland to study Craft and Design at PNCA in August 2019, and finished her MFA in June 2021. She designs workshops to share her passion and belief that hand work positively impacts the maker and everyone should have an access point to the techniques. She identifies as differently abled resulting from a brain injury and experiences life through the lens of a low income individual. These are her motivators for designing free and inclusive workshops to invite a broader audience that may have felt discouraged to learn craft techniques due to cost or ability. Niky believes that we can create a stronger community through the act of making together in the same way our ancestors had. She wants to encourage folks to reconnect with their hands to discover an outlet for exploration, creativity, and a space for connecting with those who share our world.

Opulent Fibers

https://www.kristykun.com/

Opulent Fibers is a studio operated by felt artist Kristi Kún. Kristy Kún is a studio artist working in hand made wool felt with an innovative approach to construction methods, material combinations, and craftsmanship. Kristy believes strongly in collaboration and community building through Craft and has hosted local and international instructors, each experts their practicing form of textile art, and has presented at free community events, demonstrating techniques and sharing her passion for wool.

 felting  wool  workshops

Orquidia Violeta

https://orquidiavioleta.com

Orquidia Violeta is a Salvadoran-American textile artist. She migrated to the US in the 1980s as a child-refugee from civil war in Central-America. Using vivid colors and contrasting textures, she sews exuberant artwork with a joyful visual style and clever material design. Orquidia uses salvaged materials and sustainable practices, transports her body and work by bicycle, and sews on reclaimed machines. The imperfect beauty and infinite diversity of our world inspires Orquidia to create bold artwork.

PenFelt

https://www.penfelt.com/

PenFelt Studio is the home of felting workshops with Portland's Duchess of Felt: LeBrie Rich.

 felting  wool  workshops

R.A.W Textiles

http://rawtextiles.com/

R A W Textiles is a production dye studio in Portland, Oregon, that specializes in natural dyed, shibori, and rusted textiles.

 natural dye  workshops

Shu-Ju Wang

https://shujuwangartist.com/

Born and raised in Taiwan, Shu-Ju Wang is a painter and book artist now based in Portland. Through careful research and community outreach, her art practice is a path to gain deeper understanding of the world and our relationship to each other—the land, the water, and all the beings that call this place home—our experiences and transformations form a complex tapestry of shared interests and conflicts. While her work is largely focused on the radical and sometimes catastrophic shifts of our lives, she find tenderness in our efforts to continue life on this planet, hope in our willingness to work together, and humor in our flaws.

Terumi Saito

https://www.terumisaito.com/

The Japanese textile tradition dates back to the Yayoi period (300 BCE - 300 CE) where the primitive yet ubiquitous backstrap loom weaving method was employed in the Japanese regions. In her own art practice, Terumi Saito explores the spiritual and existential by way of employing these traditional and ancient techniques; techniques which involve rudimentary modes of textile production including the mechanisms constructed only from sticks and yarn. Despite this, her complex textile work still involves particular care and detail in every part of the extensive process including weaving, dyeing, and coiling.

From 2019 to 2021, Saito traveled to Peru, Guatemala and Japan conducting research in these countries' respective indigenous textile traditions whose weaving and natural dyeing techniques she employs in her practice today. The synthesis of this research now embodies an art process which aims to not only produce a contemporary hybrid craft derived from these traditions but to also preserve and honor its extraordinary significance.

齊藤輝美

静岡県生まれ。2016年多摩美術大学グラフィックデザイン学科卒業。2020年パーソンズ美術大学大学院テキスタイル専攻修士課程修了。大学院在学時にペルー、グアテマラにて染織技術の研究調査を行う。腰機織りや草木染めなどの技法を使った自身の作品を通して伝統的な手仕事のものづくりを伝えると共に伝統と異文化を融合したハイブリッドクラフトアートを創作している。現在はニューヨークを拠点にアーティスト、デザイナーとしてファイバーアート、ペインティング、グラフィックデザインと多岐にわたる分野で制作活動に従事している。

That Year Forever

https://www.thatyearforever.com/

THAT YEAR is a creative studio and clothing label, developing products, events, design, direction and digital and physical media.

 fashion

Tiny Pricks Project

https://www.tinypricksproject.com/

Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate. The collection counterbalances the impermanence of Twitter and other social media, and Trump’s statements as president through the use of textiles that embody warmth, craft, permanence, civility, and a shared history. The daintiness and integrity of each piece stand in stark contrast to his presidency.

Tricia Langman

http://www.tricialangman.com/

Tricia Langman has over eighteen years experience designing for prestigious fashion companies worldwide, including Ralph Lauren, Calvin Klein, Halston, Kashiyama, Donna Karan, Nicole Miller, Anthropology, Banana Republic and Target.

 sustainability  textile design